Tidal Hours
Quiet coastal abstraction — horizon, weather, and tide read as colour and edge.
Studio
An imagined painting practice shaped by coastlines, simple structures and the overlooked details of growing things.
The collections begin with familiar things: a changing horizon, an archway in afternoon light, a garden just after dusk. Those starting points loosen into fields of colour, imperfect shapes and lines that wander.
A shared palette brings the work together. Chalk and warm ivory leave room to breathe; petrol blue, olive and rust give each piece its own weight. Look closely and the surface becomes part of the composition.
How the series are organised
Quiet Structures
Warm, irregular geometry — blocks of colour that settle into loose architecture.
Wild Growth
Organic botanical abstraction — overlapping forms suggesting leaf and stem.
Colour in conversation.
Across the collections, pale grounds meet deeper colour. Marks are left visible, edges stay open, and organic shapes interrupt the geometry. Each work offers a different balance of movement and stillness.
Detail: Still Growing
Olive leaves and rounded rust seed forms branch across a warm ivory ground. Fine petrol stems connect the shapes, while a pale citron sun leaves a small, calm space above the growth.